![]() ![]() If your image is coming out too blue or yellow, fix the white balance. Tripods and good lighting can be helpful in avoiding unclear images of your work. Make sure your sculpture is in focus and not blurry. Use caution when using flash, as it may or may not hit your artwork in a way that showcases all the details. ![]() Photographing your work on a sunny afternoon or only shining light on one side of your piece could lead to shadows that make it difficult to see one side of the piece or certain details. Make sure your piece is lit evenly to properly complement your piece, but also allows the details to show. You will be responsible for combining the images into one file in a photo-editing program, as you will not be able to submit them separately. You can only submit one image per artwork, but are welcome to have 2 photographs on the same file to showcase another view of your work. Do not have other objects in the frame with your work.įor 3D work, think about what direction you want your sculpture to face. REMINDER: An artist statement MUST be in the first person, everything is “I” not “he/she/they.” Imagine your statement is having a conversation with a viewer, it is speaking for you, and you would always say “I did this.”Ĭreate a neutral background for your artwork (white generally works well) with a sheet or blank surface. Keep updating your artist statement as you grow and evolve as an artist. If you also have a press release or biography available, make sure that your statement doesn’t contradict these texts at all. You want your statement to be brief enough that they can get the essential information in that time, and that their flow isn’t too disrupted when they stop to read the statement in full.īe consistent: Make sure that what you say in your artist’s statement matches the works that are going to be on display. The average museum and gallery visitor spends 5 to 15 seconds looking at each artwork, according to numerous museum surveys. You want your statement to pull the viewer in, but you don’t want to bore them. Even the most interested person will get lost in too much information. This will intimidate your audience.īe concise: Don’t go on for pages and pages about your work. Write like you’re speaking to a person on the street, somebody who goes to museums “every now and then,” as many of your viewers will fall into that category. Make sure the content in your artist statement is not too complex or technical. ![]() While it may have one or two less features than Adobe, for a free version, it’s impressive and substantial, providing enough for most intermediate users to keep busy with.Be clear: Use accessible vocabulary keep in mind that your readers may not be scholars, artists, or art historians. GIMPshop even enables you to animate your images should you so choose. Similarly, you can still crop, add text and create layers – functions Adobe Photoshop users will be more than familiar with. More advanced users can even create their own brushes so they have more control over the desired effects and outcome. Nevertheless, many of GIMP’s best features remain unaltered and it is still aimed at helping users create or alter their images with tools such as airbrushing, cloning and gradients. The menu system of GIMPshop has been reordered to resemble the Photoshop layout, while many tools have also been renamed to the more familiar Adobe versions. The idea seems to be to help encourage Photoshop users to try the free alternative, or at least make it easier for users to switch between the two. Fundamentally, GIMPshop has not changed the software itself but simply the way it is displayed for the user.
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